top of page

Camera Shots

 

1. Extreme Long Shot

These are usually used as establishing shots. They show the subject and the environment around them. It is also used to make the subject seem small and insignificant.

Screenshot_1.png

 

2. Long Shot

This is similar to an extreme long shot however you want the main focus to be the subject instead of the environment. This type of shot is usually used to build up the location while also showing story with a character.

Screenshot_2.png

 

 

3. Full Shot

This allows the main focus of the shot to be on the character and also allow you to see the scenery. This allows the actors to create emotion for the scene to add to the story

Screenshot_3.png

 

 

4. Medium Long Shot

This is in between a Full Shot which shows the full body and a medium shot which is from the waist up. This is used if you want to capture a lot of emotion but still want to see what is behind them. This usually shows from the knees up.

Screenshot_4.png

 

5. Cowboy Shot

This is also in between a Full Shot which shows the full body and a medium shot which is from the waist up. But unlike a medium long shot, this goes form the middle of the thighs up instead of the knees up. This was used in old west movies as a medium shot that shows the gun holster.

Screenshot_5.png

 

 

6. Medium Shot

This is when the shot is showing a character from the waist up. It allows the main focus to be the character but you can still see a bit of the background.

Screenshot_6.png

 

7. Medium Close Up Shot

This is when the shot is showing a character from the chest up. It allows the main focus to be the characters face but you can still see a bit of the background. This is usually used when filming a face to face conversation.

Screenshot_8.png

 

 

8. Close Up Shot

This is usually used to zoom in to a character's face. It doesn't show much of the background so it forces you to look at the face. It can also be used for objects such as a clock.

Screenshot_9.png

 

 

9. Extreme Close Up Shot

This is used to zoom in on one small detail such as the eyes or mouth of a character. If the subject was an object such as a car, you could zoom in on one of the wheels.

Screenshot_10.png

 

 

10. Low Angle Shot

This is used to make you feel like you are looking up at the character. This makes them look big and powerful.

Screenshot_11.png

 

 

 

11. High Angle Shot

This is the opposite of a low angle shot. It is used to make you feel like you are looking down at the character. This makes them look small and week.

Screenshot_12.png

 

 

 

12. Dutch Angle Shot

This is when the camera is slanted and all of the horizontal lines are going in that direction. This can create a sense of disorientation.

Screenshot_13.png

Analysing a Movie

Avengers Assemble

Screenshot_8.png
Screenshot_2.png
Screenshot_3.png
Screenshot_4.png
Screenshot_5.png
Screenshot_6.png
Screenshot_7.png

My Own Shots

Long shot

20190208_102538722_iOS.png

Close-up shot

20190208_102530746_iOS.png

Medium shot

20190208_102525839_iOS.png

Dutch Angle

20190208_102723294_iOS.png

Panning shot

Tilt shot

Tilt/ Tracking shot

Proposal

I have been tasked to make a short 5-minute stop motion film using a program called dragon frame. I am going to be making a 5-minute short film called "The Landlady". I am going to be making the short film by animating characters that I have made using plasticine.

 

 

The short film will start with a slow editing style and throughout it, it will gradually get faster until it finally cuts to black.  This builds suspense and makes the viewer more involved in the story. This makes the viewer want to see more.

 

 

While making this short film I will be documenting everything that I do on my Wix website. This will allow me to reflect back on what I have done and learned what I did well and what I would do differently if I did it again.

 

 

I will need to create a Storyboard of the whole sequence by 11.59pm on Friday 15/03/19. I will then need to produce the film by 11.59pm on Friday 03/05/19.

Treatment

"The Landlady" is a story about a 17-year-old boy called Billy Weaver, who is looking to stay at a bed and breakfast on his trip to Bath from London. He gets directions from a porter to a bed and breakfast called “The Bell and Dragon” but on the way there he stops at an old woman's house and chooses to stay there for the night instead. However, Billy eventually figures out that he had made a big mistake because the woman is a little bit strange. The lovely house that he originally saw had turned out to be a nightmare. This is because the only two previous guests that stayed there have gone missing and he thinks that he is next. The short film ends on a cliff hanger which leaves the viewer not knowing what is going to happen next and wanting more.

Script

Billy gets off the train a 9:00 and it is a cold starry night.
Billy - "Excuse me, but is there a fairly cheap hotel not too far away from here."
The porter pointed down the road
Porter - "Try the bell and dragon, they might take you in. Its a quarter of a mile along the other side."
Billy - "Thank you"
Billy picked u his suitcase and started walking to the bell and dragon.
Billy saw one house that was lit up with a sign that said "Bed and breakfast"
Billy looked through the window.
Billy turned to go to the pub but he saw the sign flashing.
Billy walked up the steps to the front door and pressed the bell.
Before billy took his finger off of the button a woman opened the door smiling.
Women - "Please come in" and stepped aside holding the door open.
Billy - “I saw the notice in the window.” 
Women - “Yes, I know.” 
Billy - “I was wondering about a room.”
Women - “It's all ready for you, my dear.” 
Billy - “I was on my way to The Bell and Dragon, but the notice in your window just happened to catch my eye.”
Women - “My dear boy, why don't you come in out of the cold?”
Billy - “How much do you charge?” 
Women - “Five and sixpence a night, including breakfast. If that is too much then perhaps I can reduce it just a tiny bit. Do you desire an egg for breakfast? Eggs are expensive at the moment. It would be sixpence less without the egg.”
Billy - “Five and sixpence is fine, I should like very much to stay here.” 
Women - “I knew you would. Do come in.”
Billy took off his hat and stepped in.
Women - “Just hang it there, and let me help you with your coat.”
Women - “We have it all to ourselves.”
The women smiled at him over her shoulder as she led the way upstairs. 
Women - “You see, it isn’t very often I have the pleasure of taking a visitor into my little nest.” 
Billy - “I should've thought you’d be simply swamped with applicants.”
Women - “Oh, I am, my dear, I am,
of course I am. But the trouble is that I'm inclined to be just a teeny weeny bit choosy and particular – if you see what I mean.”
Billy - “Ah, yes.”
Women - “But I’m always ready. Everything is always ready day and night in this house just on the off-chance that an acceptable young gentleman will come along. And it is such a pleasure, my dear, such a very great pleasure when now and again I open the door and I see someone standing there who is just exactly right.”
The women stopped halfway up the stairs and turned and looked at Billy.
Women - “Like you.”
The women's blue eyes travelled slowly all the way down the length of Billy's body, to his feet, and then up again.
They got to the first floor.
Women - “This floor is mine.” 
They got to the second floor.
Women - “And this one is all yours. Here’s your room.  I do hope you’ll like it.”
She took him into a small but charming front bedroom, switching on the light as she went in.
Women - “The morning sun comes right in the window, Mr Perkins. It is Mr Perkins, isn’t it?”
Billy - “No, It’s Weaver.”
Women - “Mr Weaver. How nice. I’ve put a water bottle between the sheets to air them out, Mr Weaver. It’s such a comfort to have a hot water-bottle in a strange bed with clean sheets, don’t you agree? And you may light the gas fire at any time if you feel chilly.”
Billy - “Thank you, Thank you ever so much.”
Billy noticed that the bedspread had been taken off the bed and that the bedclothes had been neatly turned back on one side, all ready for someone to get in.
Women - “I’m so glad you appeared, I was beginning to get worried.”
Billy - “That’s all right, You mustn’t worry about me.”
Billy put his suitcase on the chair and started to open it.
Women - “And what about supper, my dear? Did you manage to get anything to eat before you came here?” 
Billy - “I’m not a bit hungry, thank you, I think I’ll just go to bed as soon as possible because tomorrow I’ve got to get up rather early and report to the office.”
Women - “Very well, then. I’ll leave you now so that you can unpack. But before you go to bed, would you be kind enough to pop into the sitting-room on the ground floor and sign the book? Everyone has to do that because it’s the law of the land, and we don’t want to go breaking any laws at this stage in the proceedings, do we?”
The women walked out of the room quickly, waving and then closed the door.
Billy unpacked his suitcase, washed his hands and went into the living room.
Billy saw the guestbook open and started to read the guests.
Billy thought that he recognised the names, Christopher Mulholland and Gregory Temple.
The woman walked up behind him.
Woman - “Such charming boys”
Billy - “They sound somehow familiar.”
Woman - “They do? How interesting.”
Billy - “I’m almost positive I’ve heard those names before somewhere. Isn’t that queer? Maybe it was in the newspapers. They weren’t famous in any way, were they? I mean famous cricketers or footballers or something like that?”
The woman put the tea tray on the low table in front of the sofa.
Woman - “Famous, Oh no, I don’t think they were famous. But they were extraordinarily handsome, both of them, I can promise you that. They were tall and young and handsome, my dear, just exactly like you.”
Billy looked at the book.
Billy - “Look here, This last entry is over two years old.”
Woman -  “It is?”
Billy - “Yes, indeed. And Christopher Mulholland’s is nearly a year before that  more than three years ago.”
The woman shook her head.
Women - “Dear me
,“I would never have thought it. How time does fly away from us all, doesn’t it, Mr Wilkins?” 
Billy - “It’s Weaver
,W-e-a-v-e-r.”
The woman sat down on the sofa and cried.
Woman - “Oh,
ofcourse it is! How silly of me. I do apologise. In one ear and out the other, that’s me, Mr Weaver.”
Billy - “You know something? Something that’s really quite extraordinary about all this?”
Woman - “No, dear, I don’t.”
Billy - “Well, you see – both of these names, Mulholland and Temple, I not only seem to remember each one of them separately, so to speak, but somehow or other, in some peculiar way, they both appear to be sort of connected together as well. As though they were both famous for the same sort of thing, if you see what I mean – like … like Dempsey and Tunney, for example, or Churchill and Roosevelt.”
Woman - “How amusing, But come over here now, dear, and sit down beside me on the sofa and I’ll give you a nice cup of tea and a ginger biscuit before you go to bed.” 
Billy watched the woman as she fussed about with cups and saucers.
Billy - “I’m almost positive it was in the newspapers I saw them, I’ll think of it in a second. I’m sure I will.”
Billy - “Now wait a minute, wait just a minute. Mulholland ... Christopher Mulholland ... wasn’t that the name of the Eton schoolboy who was on a walking-tour through the West Country, and then all of a sudden ...”
Woman - “Milk? And sugar?”
Billy - “Yes, please. And then all of a sudden ...”
Woman - “Eton schoolboy? “Oh no, my dear, that can’t possibly be right because my Mr Mulholland was certainly not an Eton schoolboy when he came to me. He was a Cambridge undergraduate. Come over here now and sit next to me and warm yourself in front of this lovely fire. Come on. Your tea’s all ready for you.”
The woman patted the empty place beside her on the sofa, and she sat there smiling at Billy and waiting for him to come 380 over.
Billy crossed the room slowly and sat down on the edge of the sofa. 
The woman placed his teacup on the table in front of him.
Woman - “There we are, How nice and cosy this is, isn’t it?”
They both started sipping their tea and didn't speak for a minute. But the woman was looking at Billy.
Woman - “Mr Mulholland was a great one for his tea, Never in my life have I seen anyone drink as much tea as dear, sweet Mr Mulholland.”
Billy - “I suppose he left fairly recently.”
Woman - “Left? “But my dear boy, he never left. He’s still here. Mr Temple is also here. They’re on the third floor, both of them together.”
Billy slowly put his cup down on the table.
The woman smiled at Billy and put her hand on his knee.
Woman - “How old are you, my dear?”
Billy - “Seventeen.”
Woman - “Seventeen! Oh, it’s 
the perfect age! Mr Mulholland was also seventeen. But I think he was a trifle shorter than you are, in fact I’m sure he was, and his teeth weren’t quite so white. You have the most beautiful teeth, Mr Weaver, did you know that?”
Billy - “They’re not as good as they look, “They’ve got simply masses of fillings in them at the back.”
Woman - “Mr Temple, of course, was a little older, Mr Temple, of course, was a little older”
Billy - “A what?”
Woman - “His skin was just like a baby’s.”
Billy took a sip of his tea and then put it back down in the saucer.
Billy waited for her to say something and stared into the corner of the room.
Billy - “That parrot, You know something? It had me completely fooled when I first saw it through the window from the street. I could have sworn it was alive.”
Woman - “Alas, no longer.”
Billy - “It’s most terribly clever the way it’s been done, It doesn’t look in the least bit dead. Who did it?”
Woman - “I did.”
Billy - “You did?”
Woman - “Of course, and have you met my little Basil as well?”
The women looked at the dachshund.
Billy touched the dogs back and it was cold.
Billy - “Good gracious me, How absolutely fascinating.”
Billy stared at the woman.
Billy - “It must be most awfully difficult to do a thing like that.”
Woman - “Not in the least, I stuff all my little pets myself when they pass away. Will you have another cup of tea?”
Billy - “No, thank you”
Woman - “You did sign the book, didn’t you?”
Billy - “Oh, yes.”
Woman - “That’s good. Because later on, if I happen to forget what you were called, then I can always come down here and look it up. I still do that almost every day with Mr Mulholland and Mr
. . .Mr...” 
Billy - “Temple, Gregory Temple. Excuse my asking, but haven’t there been any other guests here except them in the last two or three years?”
The woman looked at him in the corner of her eye.
Woman - “No, my dear, only you."

Shot List

Screenshot_2.png
Screenshot_4.png
Screenshot_3.png
Screenshot_6.png

Thumbnail sketches

First I created a storyboard with very simple sketches. This allowed me to get the composition of each shot very easily and quickly. I will then improve the drawings with more detailed ones after.

IMG_0833 (Edited).JPG
IMG_0834 (Edited).JPG
IMG_0835 (Edited).JPG
IMG_0836.JPG
IMG_0837.JPG
IMG_0838.JPG
IMG_0839.JPG
IMG_0840.JPG
IMG_0841.JPG
IMG_0844.JPG
IMG_0843.JPG
IMG_0842.JPG
IMG_0847.JPG
IMG_0845.JPG
IMG_0846.JPG
IMG_0848.JPG
IMG_0851.JPG
IMG_0850.JPG
IMG_0849.JPG
IMG_0853.JPG
IMG_0852.JPG
IMG_0854.JPG

Storyboard

After I had done all of the thumbnail sketches I created the storyboard. I could do this a lot quicker because all of the drawings were already layed out so all I had to do was add detail to the thumbnail sketches.

IMG_0856.JPG
IMG_0857.JPG
IMG_0858.JPG
IMG_0859.JPG
IMG_0860.JPG
IMG_0861.JPG
IMG_0862.JPG
IMG_0863.JPG
IMG_0864.JPG
IMG_0867.JPG
IMG_0866.JPG
IMG_0865.JPG
IMG_0870.JPG
IMG_0868.JPG
IMG_0869.JPG
IMG_0871.JPG
IMG_0874.JPG
IMG_0873.JPG
IMG_0872.JPG
IMG_0876.JPG
IMG_0875.JPG
IMG_0877.JPG

Creating the short film

First I had to create the set. I did this by using a cardboard box an decorating the inside and outside of it. I created textures using Photoshop and stuck them to the cardboard. For the furniture, I used dolls house pieces.

IMG_1062.JPG

Next, I made the people. I bought some little wooden art mannequins and decorated them with plasticine. This made it easier for me to animate because the characters will keep in the correct shape.

IMG_1063 (Edited).JPG

Then, I filmed the short film. I did this using a manual camera app called "Moment" my phone. I used a manual camera app so I had more control. While I was creating the animation I made sure to think about the speed of it because I knew it was going to me 12 frames per second.

IMG_0964.JPG

After that, I recorded the voices. I played Billy Weaver and my mum played The Landlady. I recorded the voices using my phone and edited them using after effects.

Screenshot_9.png

Finally, I edited the whole short film using After Effects. First I did some colour correction. Then I added the voices to it. Then I added some sound effects.

Screenshot_10.png

The Landlady

bottom of page